dc.contributor.author
Otto, Birke D.
dc.contributor.author
Schiemer, Benjamin
dc.contributor.author
Sminia, Harry
dc.contributor.author
Sydow, Jörg
dc.date.accessioned
2025-04-14T07:12:43Z
dc.date.available
2025-04-14T07:12:43Z
dc.identifier.uri
https://refubium.fu-berlin.de/handle/fub188/47343
dc.identifier.uri
http://dx.doi.org/10.17169/refubium-47061
dc.description.abstract
Failure is commonly conceived either as a provisional state or as the unwelcome endpoint of a process. In both scenarios, failure occurs when there is a discrepancy between an expectation and result, presupposing a well-defined comprehension of intentions and anticipated outcomes. This assumption is particularly challenged when conferred to creative projects, where expectations are not always as explicitly defined and undergo frequent changes. To understand how failure evolves, this chapter analyzes failure experiences of individuals working in creative projects in the arts and sciences and investigates how shifts in expectations occur with setbacks experienced. We develop three interconnected dimensions of expectation in creative projects: uniqueness, do-ability, and resonance. Together, these create a malleable evaluative space within which a creative project is deemed worthwhile doing. Our findings suggest that disappointed expectations are met by either prioritizing certain expectations over others, or by realigning expectations with new opportunites, and in so doing shape and change the relative importance or meaning of these expectations. We argue that these responses transform the evaluative space in a way that keeps the creative project going. An endpoint failure only occurs when those involved in a creative project run out of possibilities to alter the evaluative space of the project. Our study overcomes the binary conception of failure as being merely the opposite of success and demonstrate that success in creative projects is not always output orientated. It also involves creating and maintaining sustainable ways to continue.
en
dc.format.extent
19 Seiten (Manuskriptversion)
dc.rights.uri
https://creativecommons.org/licenses/by-nc/4.0/
dc.subject
Creative projects
en
dc.subject
evaluative spaces
en
dc.subject
expectations
en
dc.subject
temporary organization
en
dc.subject.ddc
600 Technik, Medizin, angewandte Wissenschaften::650 Management, Öffentlichkeitsarbeit::650 Management und unterstützende Tätigkeiten
dc.title
Failure as a Process
dc.title.subtitle
Shaping What is Worth Doing in Creative Projects
dcterms.bibliographicCitation.booktitle
Spaces for Creativity and Innovation Within and Across Organizational Boundaries
dcterms.bibliographicCitation.doi
10.1108/S0733-558X20250000091020
dcterms.bibliographicCitation.editor
Oliver, A.L., Sydow, J. and Cohendet, P. (Ed.)
dcterms.bibliographicCitation.originalpublishername
Emerald Publishing Limited
dcterms.bibliographicCitation.originalpublisherplace
Leeds
dcterms.bibliographicCitation.pagestart
137
dcterms.bibliographicCitation.pageend
158
dcterms.bibliographicCitation.url
https://doi.org/10.1108/S0733-558X20250000091020
refubium.affiliation
Wirtschaftswissenschaft
refubium.affiliation.other
Betriebswirtschaftslehre / Management-Department

refubium.note.author
This author accepted manuscript is deposited under a Creative Commons Attribution Non-commercial 4.0 International (CC BY-NC) licence. This means that anyone may distribute, adapt, and build upon the work for non-commercial purposes, subject to full attribution. If you wish to use this manuscript for commercial purposes, please contact permissions@emerald.com
en
refubium.resourceType.isindependentpub
no
refubium.series.issueNumber
91
refubium.series.name
Research in the Sociology of Organizations
dcterms.accessRights.openaire
open access
dcterms.isPartOf.isbn
978-1-83549-367-0
dcterms.isPartOf.eisbn
978-1-83549-366-3
dcterms.isPartOf.issn
0733-558X