dc.contributor.author
Beridze, Irine
dc.date.accessioned
2022-02-10T11:02:42Z
dc.date.available
2022-02-10T11:02:42Z
dc.identifier.uri
https://refubium.fu-berlin.de/handle/fub188/33960
dc.identifier.uri
http://dx.doi.org/10.17169/refubium-33679
dc.description.abstract
The Georgian VIA scene presents itself as a complex case study: the dynamics shaping it go beyond the much-discussed ideologisation of the musical genre of VIA, and beyond a clear-cut dichotomy of “official/unofficial” culture. Instead, Georgian VIAS of the 1960s and 1970s were able to find their own ways to express poetic and aesthetic qualities of Georgian national culture under the Soviet regime. Making use of spaces between submission to and subversion of the Soviet power, they created and thus founded the Georgian popular music tradition with its historical, linguistic and cultural specificity. Georgian VIAs such as Orera, Dielo, Iveria performed mostly in Georgian and were able to sing about their nation’s history and its struggle for independence. With the help of the poetic, aesthetic and musical strategies analysed in this article, they distanced themselves from the Russian-speaking centre and created their own national peripheral musical discourse.
en
dc.format.extent
16 Seiten
dc.rights.uri
https://creativecommons.org/licenses/by/4.0/
dc.subject
Soviet republics
en
dc.subject
Georgian VIAs
en
dc.subject
Georgian popular music
en
dc.subject
national culture
en
dc.subject.ddc
700 Künste und Unterhaltung::780 Musik::780 Musik
dc.type
Wissenschaftlicher Artikel
dc.title.subtitle
Between Submission and Subversion
dcterms.bibliographicCitation.doi
10.17892/app.2021.00013.278
dcterms.bibliographicCitation.journaltitle
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
dcterms.bibliographicCitation.number
13
dcterms.bibliographicCitation.pagestart
20
dcterms.bibliographicCitation.pageend
35
dcterms.bibliographicCitation.url
https://doi.org/10.17892/app.2021.00013.278
refubium.affiliation
Osteuropa-Institut
refubium.affiliation.other
Peter Szondi-Institut für Allgemeine und Vergleichende Literaturwissenschaft
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refubium.funding
Publikationsfonds FU
refubium.note.author
Die Publikation wurde aus Open Access Publikationsgeldern der Freien Universität Berlin gefördert.
de
refubium.resourceType.isindependentpub
no
dcterms.accessRights.openaire
open access
dcterms.isPartOf.eissn
2365-7758