dc.contributor.author
Günther, Clemens
dc.contributor.author
Schäfer, Christiane
dc.date.accessioned
2022-02-10T10:25:21Z
dc.date.available
2022-02-10T10:25:21Z
dc.identifier.uri
https://refubium.fu-berlin.de/handle/fub188/33957
dc.identifier.uri
http://dx.doi.org/10.17169/refubium-33676
dc.description.abstract
Vocal-Instrumentral-Ensembles, abbreviated as VIA, were a distinct format of late-soviet popular culture. Music groups carrying this label enjoyed tremendous success from the mid-1960s until the mid-1980s and have since become the object of a nostalgic revival. As a research subject, they offer important insight into cultural politics and the music industry of their time, as well as movements of negotiation, popularisation and canonisation of new sounds, aesthetics and performance techniques. This issue invites scholars to take a more active interest in the VIA’s musical and institutional qualities and offers first explorations into this multifaceted phenomenon.
en
dc.format.extent
4 Seiten
dc.rights.uri
https://creativecommons.org/licenses/by/4.0/
dc.subject
Soviet Union
en
dc.subject
popular culture
en
dc.subject
cultural policy
en
dc.subject
era of stagnation
en
dc.subject.ddc
700 Künste und Unterhaltung::780 Musik::780 Musik
dc.title
An Open Invitation: VIA as a Field of Research
dc.type
Wissenschaftlicher Artikel
dcterms.bibliographicCitation.doi
10.17892/app.2021.00013.277
dcterms.bibliographicCitation.journaltitle
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
dcterms.bibliographicCitation.number
13
dcterms.bibliographicCitation.pagestart
1
dcterms.bibliographicCitation.pageend
4
dcterms.bibliographicCitation.url
https://doi.org/10.17892/app.2021.00013.277
refubium.affiliation
Osteuropa-Institut
refubium.affiliation.other
Peter Szondi-Institut für Allgemeine und Vergleichende Literaturwissenschaft
refubium.resourceType.isindependentpub
no
dcterms.accessRights.openaire
open access
dcterms.isPartOf.eissn
2365-7758