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Abstract

A partir de la performance de Coco Fusco intitulada "Words May Not Be Found" (Berlin, 2017) y desde el concepto de "campo expandido" (expanded field) de Rosalind Krauss (1979) y de la crítica de Rebecca Schneider a la noción de inmediatez de la performance, este texto pretende mostrar algunos de los componentes que permiten pensar "la documentación" de la performance en video como ese medio donde se expande el campo de la performance a partir del del teatro y del video.

Departing from Coco Fusco's performance entitled “Words May Not Be Found” (Berlin, 2017), as well as taking into consideration Krauss's concept of expanded field and Rebbeca Schneider's critique of the notion of immediacy of performance, this text discusses "the documentation" of performance through video. This is approached as the medium that expands the field of performance into the future and into an "alive" dimension of the archive through theater and video.