dc.contributor.author
Glushko, Anastasia
dc.contributor.author
Steinhauer, Karsten
dc.contributor.author
DePriest, John
dc.contributor.author
Koelsch, Stefan
dc.date.accessioned
2018-06-08T03:28:40Z
dc.date.available
2016-08-15T07:09:15.189Z
dc.identifier.uri
https://refubium.fu-berlin.de/handle/fub188/15269
dc.identifier.uri
http://dx.doi.org/10.17169/refubium-19457
dc.description.abstract
The processing of prosodic phrase boundaries in language is immediately
reflected by a specific event-related potential component called the Closure
Positive Shift (CPS). A component somewhat reminiscent of the CPS in language
has also been reported for musical phrases (i.e., the so-called ‘music CPS’).
However, in previous studies the quantification of the music-CPS as well as
its morphology and timing differed substantially from the characteristics of
the language-CPS. Therefore, the degree of correspondence between cognitive
mechanisms of phrasing in music and in language has remained questionable.
Here, we probed the shared nature of mechanisms underlying musical and
prosodic phrasing by (1) investigating whether the music-CPS is present at
phrase boundary positions where the language-CPS has been originally reported
(i.e., at the onset of the pause between phrases), and (2) comparing the CPS
in music and in language in non-musicians and professional musicians. For the
first time, we report a positive shift at the onset of musical phrase
boundaries that strongly resembles the language-CPS and argue that the post-
boundary ‘music-CPS’ of previous studies may be an entirely distinct ERP
component. Moreover, the language-CPS in musicians was found to be less
prominent than in non-musicians, suggesting more efficient processing of
prosodic phrases in language as a result of higher musical expertise.
de
dc.rights.uri
http://creativecommons.org/publicdomain/zero/1.0/
dc.subject.ddc
100 Philosophie und Psychologie::150 Psychologie::152 Sinneswahrnehmung, Bewegung, Emotionen, Triebe
dc.title
Neurophysiological correlates of musical and prosodic phrasing: shared
processing mechanisms and effects of musical expertise
dc.type
Wissenschaftlicher Artikel
dcterms.bibliographicCitation
PLoS ONE. - 11 (2016), 5, Artikel Nr. e0155300
dcterms.bibliographicCitation.doi
10.1371/journal.pone.0155300
dcterms.bibliographicCitation.url
http://dx.doi.org/10.1371/journal.pone.0155300
refubium.affiliation
Erziehungswissenschaft und Psychologie
de
refubium.funding
Deutsche Forschungsgemeinschaft (DFG)
refubium.mycore.fudocsId
FUDOCS_document_000000024642
refubium.note.author
Gefördert durch die DFG und den Open-Access-Publikationsfonds der Freien
Universität Berlin.
refubium.resourceType.isindependentpub
no
refubium.mycore.derivateId
FUDOCS_derivate_000000006486
dcterms.accessRights.openaire
open access