dc.contributor.author
Richter, Joachim
dc.contributor.author
Ostovar, Roya
dc.date.accessioned
2018-06-08T03:23:31Z
dc.date.available
2016-11-17T08:42:10.645Z
dc.identifier.uri
https://refubium.fu-berlin.de/handle/fub188/15080
dc.identifier.uri
http://dx.doi.org/10.17169/refubium-19268
dc.description.abstract
The functions of dance and music in human evolution are a mystery. Current
research on the evolution of music has mainly focused on its melodic attribute
which would have evolved alongside (proto-)language. Instead, we propose an
alternative conceptual framework which focuses on the co-evolution of rhythm
and dance (R&D;) as intertwined aspects of a multimodal phenomenon
characterized by the unity of action and perception. Reviewing the current
literature from this viewpoint we propose the hypothesis that R&D; have
co-evolved long before other musical attributes and (proto-)language. Our view
is supported by increasing experimental evidence particularly in infants and
children: beat is perceived and anticipated already by newborns and rhythm
perception depends on body movement. Infants and toddlers spontaneously move
to a rhythm irrespective of their cultural background. The impulse to dance
may have been prepared by the susceptibility of infants to be soothed by
rocking. Conceivable evolutionary functions of R&D; include sexual
attraction and transmission of mating signals. Social functions include
bonding, synchronization of many individuals, appeasement of hostile
individuals, and pre- and extra-verbal communication enabling embodied
individual and collective memorizing. In many cultures R&D; are used for
entering trance, a base for shamanism and early religions. Individual benefits
of R&D; include improvement of body coordination, as well as painkilling,
anti-depressive, and anti-boredom effects. Rhythm most likely paved the way
for human speech as supported by studies confirming the overlaps between
cognitive and neural resources recruited for language and rhythm. In addition,
dance encompasses visual and gestural communication. In future studies
attention should be paid to which attribute of music is focused on and that
the close mutual relation between R&D; is taken into account. The possible
evolutionary functions of dance deserve more attention.
en
dc.rights.uri
http://creativecommons.org/licenses/by/4.0/
dc.subject
embodied music cognition
dc.subject
embodied communication
dc.subject
human universals
dc.subject
human evolution
dc.subject.ddc
600 Technik, Medizin, angewandte Wissenschaften::610 Medizin und Gesundheit
dc.title
“It Don’t Mean a Thing if It Ain’t Got that Swing”– an Alternative Concept for
Understanding the Evolution of Dance and Music in Human Beings
dc.type
Wissenschaftlicher Artikel
dcterms.bibliographicCitation
Front. Hum. Neurosci. - 10 (2016), Artikel Nr. 485
dcterms.bibliographicCitation.doi
10.3389/fnhum.2016.00485
dcterms.bibliographicCitation.url
http://dx.doi.org/10.3389/fnhum.2016.00485
refubium.affiliation
Charité - Universitätsmedizin Berlin
de
refubium.mycore.fudocsId
FUDOCS_document_000000025715
refubium.note.author
Der Artikel wurde in einer reinen Open-Access-Zeitschrift publiziert.
refubium.resourceType.isindependentpub
no
refubium.mycore.derivateId
FUDOCS_derivate_000000007360
dcterms.accessRights.openaire
open access