Based on recent studies on ‘literary meteorology’, the article examines depictions of meteorology in Soviet literature. It contextualizes Daniil Granin’s Into the Storm (1962) and Anatolii Gladilin’s Forecast for tomorrow (1972) within the post-war history of meteorology and reads both texts as examples for a ‘popular meteorology’, in which important shifts in the Soviet culture of science can be detected. In difference to political readings of late Soviet prose on science, it holds, that literary texts can provide valuable insights into shifts of styles on thinking, the praxeology of science, its anthropological implications and into models of scientific evolution.
